#270: Leave a Fart, Take a Fart ( $1.06)

00:00:00
Speaker 1: Start up, dot up, start Up Brooklyn buy Boy, start Up Brooklyn buys.

00:00:09
Speaker 2: Start up, dot up, dot Up. They making noise dot up start up, do uddau dot up.

00:00:15
Speaker 1: Episode two seventy It's the Brooklyn Boys Podcast. Hello, David Brody, lo Scary Jones. How about it? Huh, we're making it. We're closing in thirty episodes away from our big three hundredth episode where we do nothing but hand out cash. I feel like we should double what we did for episode two hundred and triple what we did for episode one hundred.

00:00:42
Speaker 2: And triple of giving out zero is still zero? Correct? Man?

00:00:47
Speaker 1: I wish, I wish I had money to just hand out to all the loyalists, all the slices.

00:00:53
Speaker 2: Wouldn't that be great? It would be great. Give cards. Let's get that done.

00:00:59
Speaker 1: Nah, dude, we need we need somebody to come in here, and not even a sponsor, just to say, look, I'm a third party company and I just want to just dispense cash to your listeners or gift cards or some kind of free dessert.

00:01:15
Speaker 2: I mean that would be well, you know, okay, there, Brody, what's going on? You know? Me with free dessert? I'm in scary you count me in. That would be that would be wonderful.

00:01:22
Speaker 1: Listen, it's I know here it is on Wednesday evening, and I know we're recording on time for a change, but mostly Yeah, it takes a weekend village trip get away from me to go to Vegas and the Giants playing tonight for me to rush through this to get to the point where we can record now because I got to see the second half of this bloodbath between the Giants and the forty nine ers tonight. Well, my favorite is that you canceled yesterday because you forgot you had a friend coming in from Europe.

00:01:56
Speaker 2: British Warren.

00:01:57
Speaker 1: Yeah, no, I knew he was coming in, but he can kind of did the old switch to date on me. We were supposed to go to dinner tonight. Let's say's Thursday already, Jesus Christ. Wow, Yeah, we was supposed to go to it. We were supposed to that's right. That's why we were recording late. We were supposed to record yesterday. But here it is Thursday recording. Yeah, well yesterday, scary you called me out of nowhere and you're like, hey, man, I got to cancel. I got British. By the way, British Warren. Is there an American Warren? You know at this point it's cratuitous. No, I only know one Warren. Yeah, I think he's just Warren. He's like Butters, and he's not British Butters. He's just buttered.

00:02:35
Speaker 2: No, but yeah, but at least British Warren.

00:02:38
Speaker 1: You know, the guy's a brit and so i'm you could picture him talking when when I tell a story, it's painting the picture.

00:02:45
Speaker 2: Now, how do you know British Warren?

00:02:48
Speaker 1: I might ask dude this, You want to talk about a guy that could bankroll us for episode three hundred and dispense cash to the listen, all the more reason I need to know more about him. Well, he's like a fun guy. He's a He's this guy. My buddy Will met him years and years ago when he was Will was running the trading desk and Warren was like a tycoon back then London from London moved to Hoboken. I don't know why you go from Hoboken to London or London to Hoboken. I didn't know that was a thing. I didn't think so either. Now he's in Miami, but he's never around and we used to hang out with him all the time.

00:03:29
Speaker 2: I'm not gonna lie.

00:03:31
Speaker 1: There were times back in the day where you know, we go out, we'd party at these crazy clubs, and then all of a sudden, Warren would like just randomly get drunk and foot the bill for everybody. We all need in front like that in their life. I'm like, what, I didn't order this freaking nineteen forty two liquor?

00:03:48
Speaker 2: This tequila? What is Ace of Spades? What's what's going on? They had, you know, you know the bottles and models parade that they do. Yeah, of course, yeah.

00:03:55
Speaker 1: Now we're girls all over him because of the accent. First of all, he looks like Steve Aoki, and uh, he's got like a Steve Ioki type look to him, even though he's not in the least bit Asian, but he's he Also he has like a Fu Manchu mustache and long hair and there he looked no short hair. But he's got these eyes like a Steve Ioki. But he also has a how do I explain it? He's got eyes like us Steve Aoki, Like how many Stevekis are there? And he's also got like like how do I even paint the picture. Oh, he's like, do you know the most interesting man in the world or university? The guy from the dose Eki's commercial, right exactly, he might as well be that guy without the mustache. So but he's very interesting, you know, and and women love love his accent. And I'll say this, he likes to posh it up, as he says around American girls. He did this on purpose. Now these days, he's happily married, found his you know wife, uh half his age, God bless him. And uh he's you know, he's he's living in Miami and he's living high on the hog. He's like, wait a minute, his wife is half his age, isn't he like thirty two years old British Warren. Yeah, he's like he's fifty. He was the one who I went to the birthday party last year in Miami. Remember there was like a Gatsby theme and I dressed in that white suit. She had to dress up like, uh yeah, yes, I had to rent the tuxedo from from men's warehouse because they didn't have one.

00:05:26
Speaker 2: Yeah. That was his party, and you know he had a very you know.

00:05:30
Speaker 1: So so anyway, so anyway, he's got a beautiful wife now and you know they live a lover to death and uh but when he was single, he used to what he calls poush it up around American women. And I need ladies to know that guys are doing this out there. They know you love a British accent. They know you love a French or like an Italian or Spanish Brooklyn or Brooklyn. Yeah, girls love the Brooklyn acts.

00:06:01
Speaker 2: Dude, I have not met a chick that loves the Brooklyn accent. This is not sexy to anybody.

00:06:06
Speaker 1: What what about Robin, Well maybe the Robin because she's from there, But right, I don't see us going to other countries. And then you know, like British or French women falling lot of over us for our Brooklyn knees.

00:06:17
Speaker 2: I'm sorry.

00:06:18
Speaker 1: Oh say motherfucker again, say three motherfuckers the way you guys do or so, but the opposite, the opposite works. So what Warren would be in the company of American girls, especially when they're into the ones that are into Brits like the double O seven kind. You know, he would get extra britty or posh it up for the girls.

00:06:47
Speaker 2: So he would talk proper London speak like that.

00:06:51
Speaker 1: You know, he would he would all, so, dud, why do you sound brain damaged when you do a British accent? I can't This is my interpretation. But he speaks. He speaks more English than and more sounds more American and English than he does British.

00:07:11
Speaker 2: He's has the.

00:07:12
Speaker 1: British English than he does British. No American, American English. That British English. Okay, he definitely has a thing. He definitely has a British accent. But when he was around women he wanted to impress, he would get he would go full brit So he called women governor, governor, can I buy you a drink?

00:07:33
Speaker 2: So? You know so?

00:07:34
Speaker 1: But but Italian guys do that. French French dudes. I knew a guy. He was.

00:07:41
Speaker 2: Italian guys, yeah, and French a French.

00:07:43
Speaker 1: I knew a French guy who would have French Pierre speak English American English, but have a French tinge to it. He would also quote posh it up and get extra French, get to France, you know, to women when he wanted to impress them. And I'll tell you it works, hook line and sinker.

00:08:06
Speaker 2: You just sounded like the ill character that Jimmy fallon does oh, so all of an h oh, how about a second? I kind of want to get Warren.

00:08:14
Speaker 1: On the phone, Okay, I can I just talk about poshing it up before you get him on the phone. Yes, I would like to thank you, Scary Jones for never poshing it up with me, your longtime friend. Yesterday on the phone, Scary and I were talking and he's saying, I don't know if I should go out with Warren and the gang. We're gonna do the podcast. And he's like, all right, I said, Scary.

00:08:34
Speaker 2: Go out.

00:08:34
Speaker 1: We'll figure out a time to do the podcast tomorrow night. Not a problem, will work it out, and Scary goes, all, I gotta get dressed.

00:08:39
Speaker 2: I got I gotta change my shirt. I gotta take a leak.

00:08:43
Speaker 1: So I think that's my cue for Scary to get off the phone as one does. So he says, I gotta take a leak. I said, well, all right, well go have fun, and then I hear yeah into the toilet, Scary starts peeing while I'm on the phone with him. What's wrong with that?

00:09:02
Speaker 2: That's terrible?

00:09:04
Speaker 3: Why terrible?

00:09:05
Speaker 2: Look it's one thing.

00:09:05
Speaker 1: I stand next to you at a urinal, then you just splash in the porcelain. But you were going like four feet high into the water, and it's going.

00:09:15
Speaker 2: I wasn't sitting next to you, looking at you in the directly in the eye.

00:09:19
Speaker 1: I'm on the phone with you, and you have your dick in your hand, and you and toes in the sand, and you piss it into your toilet, which listen.

00:09:27
Speaker 2: I had no time to kill.

00:09:29
Speaker 1: I was in a rush. Yes, I feel like you could have hit the mute button. I've gone to the bathroom with you on the phone. I hit the mute button. You and I talk, then I mute. Then I talked, and I mute all right. Then I then I flushed, and I unmute. Dude, if I was going to take a dump, I would absolutely hit the mute button.

00:09:47
Speaker 2: But it is fine. Peeing is fine. I draw the line around peeing, Yeah, right after peeing. You know that's it. You don't need to hear anything. What else is after peeing? Shitting?

00:09:56
Speaker 3: Oh?

00:09:56
Speaker 1: So you draw the line right after ping? So you'd vomit, right, you'd more? What else would you do?

00:10:02
Speaker 2: Burp? Fart? Listen, We burp and sneeze all the time. I would probably if I.

00:10:08
Speaker 1: Yes, if you're in a If you're in the middle of a wedding ceremony, you could burp a sneeze if I needed to start peeing. If I needed to take a fart, I probably got the wedding you were at last weekend.

00:10:17
Speaker 2: You could take off your shirt and start being If I needed to take a fart, I would probably to hit the need button. I take a fart. I don't know. I think you just fart. You don't take you take a ship, you take a piss. I don't think you take a fart. Wow, I feel like you do. I feel like you could.

00:10:34
Speaker 1: No, I think you just fart. I don't think he's All'm gonna take a fart right now?

00:10:37
Speaker 2: Hey, what are you doing? I gotta take a fart and go in the other room. Nobody says if.

00:10:41
Speaker 1: You go in the other room and you leave, you leave a fart. No, you could go to take a fart. No, you go to leave a fart, You go to leave it, then come back in the room you're in. You're taking a fart.

00:10:50
Speaker 2: Nobody, don't use me. I'll be right back. I gotta take a fart. Nobody says that you don't take you leave a fart. I do us.

00:10:57
Speaker 1: I'm starting to make I'm trying to see that that train on TikTok or something. We take a fart, yeah, like they take a penny, leave a penny, take a fart, leave a fart. I mean if you take the other things, and why wouldn't you take a fart. I just don't think that you don't take a burth. I take a shower, yes, but you know you don't take a burp. You don't take a sneeze, you don't take a cough. But technically you're not taking a ship. I'm taking you're leaving a ship. This is getting very gross. By taking We're gonna get censored on this. I would like I would like when we come back from break, I would like British Warring on the phone to talk about whether he takes a fault or leaves a fault.

00:11:31
Speaker 2: He may pauls it up for you. You never know, yes, and what do they call it? There? Did they fought on the other side of the street in England? I don't even know podcast we will be right back. I don't know he's gonna be.

00:11:43
Speaker 1: He may be all international when he's in America. No, he's no he lives in Miami, dude by way of Hoboken. He's all but then he's not British Warn anymore. He's transplant Warn. He used to live in London. He's from there. You'll hear his accent come through. But that's like people wh used to live in Brooklyn still say, Oh wait a minute, die fair enough. You know what I'm saying. We're still always from Brooklyn. We're always from Brooklyn. That's very true, Nicole. Oh, speaking of of our of our accent and girls not liking our accents or Brooklyn accents not being sexy. There's somebody you need to check out Scary. If you're in New York and you're you're a Mets fan, you might know who she is. I'm gonna shout her out now because I'm a fan. But on s n Y, the Mets Network, there's a new host of Sports Night at Night. I don't know if you've seen her, Scary. She's from North Jersey, but she sounds like she's from Brooklyn.

00:12:38
Speaker 2: What's her name? Her name is Nikki Latarulo.

00:12:41
Speaker 1: She couldn't be more Italian if she had tomatoes sauce coming out of her veins.

00:12:45
Speaker 2: When you cut a finger. Op, I love it. I gotta go. I gotta watch her now.

00:12:48
Speaker 1: To Mets Lost tonight, I'm Nicky Latarulo. Oh hey with the highlights in a minute, you fucking idiots. I love Oh my god, she's tremendous.

00:12:54
Speaker 2: She's local. We want we like that.

00:12:56
Speaker 1: She couldn't be more local. So if anyone knows her, tell her. I said, Hi, let's see if works. We should have her on just so people can hear. The accident is fantastic. And she's really good at the job too. Yeah, we'll see if Warren answers.

00:13:08
Speaker 2: But she has a Yankee tattoo, I think, and I'm not a fan of that. You're not a fan of the Yankee tattoo. I'm a Mets fan.

00:13:14
Speaker 1: You know she's not perfectly both. Yeah, but you'd love her. She's Italian, dark haired, dog skin.

00:13:19
Speaker 2: That's awesome. I mean, you know you're not single. I'm just saying in general, she's you know, I knew where you were coming from. It comes from a good place, right Like if you.

00:13:28
Speaker 1: British Warren Scary Scary Jones, Yeah you are alive. On the Brooklyn Boys Podcast with Scary Jones and David Brody, Brody and scary.

00:13:39
Speaker 2: How are you, sir? How are you mate?

00:13:41
Speaker 3: I'm very well, very well.

00:13:43
Speaker 2: You did you just mate him?

00:13:45
Speaker 3: Yes?

00:13:45
Speaker 2: He my mate, I'm his mate.

00:13:48
Speaker 1: See, Brody gets upset when I when I'm when I'm a man, his some of his black friends.

00:13:55
Speaker 2: So I'm like, hey, what's going on, my man? You know how I would do that with less? I would like my man?

00:14:00
Speaker 3: I do, Indeed, I do, indeed, So he knows.

00:14:03
Speaker 2: So there's nothing likes to get my mate, man English English.

00:14:09
Speaker 1: So we got to come to talking about you because that's why we're recording our podcast tonight, because I went out to dinner with you guys yesterday during the time when I was supposed to be recording.

00:14:20
Speaker 2: But have questions, Yeah, I have questions.

00:14:23
Speaker 3: Please go ahead.

00:14:25
Speaker 2: First of all, I understand you have Steve i Oki eyes.

00:14:27
Speaker 1: Is that correct? Which is weird because you don't have Asian shaped eyes. I think he means the color. I don't know what he means.

00:14:34
Speaker 2: Do you know that scary?

00:14:37
Speaker 3: They are Asian? I get it a lot. Yeah, I am. I have very Asian looking eyes bizarrely, so it's a very weird quirk of my because I do not know one in my family has, so it's pretty weird.

00:14:47
Speaker 2: Yeah, all right, so.

00:14:48
Speaker 1: Does the milk does the milkman have Asian eyes? The matter in hand, the matter in hand, one of them. I told everyone, We told we're talking about how your how you know where your your roots are from, from London Dent to Hoboken in Miami. And then now you're the world traveler and all and that, and now you're about poshing you well, well, well let me get to that. So we we also talked about that you're you're you're happily married and you found your your your other half. And now but back in the day, way back in the day, whenever you know that, we were talking about how American women are into Brits and that sometimes you would entertain them because and and kind of play into.

00:15:31
Speaker 2: Their their their love, what they love and like about Brits.

00:15:35
Speaker 1: By quote, poshing it up when you speak, can you explain what pushing it up? And it could be a very innocent thing. It's not necessarily meaning you're going in for the kill here. But I say that a lot of people that cross over and come to America from France and Spain and all these they may speak the name, they speak English, and then but sometimes when they're in company that wants to hear that accent, they quote posh it up. So if you could explain to Brody what that is and and how how that's worked or is it is it a fallacy?

00:16:11
Speaker 2: Does it not work?

00:16:12
Speaker 3: Of course? Well, and it's not just one way actually, because I would go I would go either way because I was often confused also with being Australian, because I've been in America for so long. So if I if I, if I was, if I was being particularly English, I would absolutely be a little bit more English, so I, you know, very a bit more proper, little a little bit as you call it posh. We don't have to say posh in England, but a little bit more proper, a little bit more you know southern I guess, you know, London and whatever. But then sometimes I'd get confused also being Australian, in which case I would switch to pretending to be Australian. So it wouldn't just be I'd either proper up in the English side as you call it, poshing up, or go Australian. So give it.

00:16:53
Speaker 1: So if you could say a sentence the way you normally would and then give us a version of you quote poshing it up already, can understand.

00:17:01
Speaker 2: I want to hear the difference.

00:17:03
Speaker 3: Okay, okay, So all right, all right, right, Hey, hey, how are you doing? What's going on tonight? Are you you out here with your friends?

00:17:11
Speaker 1: You?

00:17:11
Speaker 3: You guys going to have dinner and stuff?

00:17:12
Speaker 2: Now that's regular, right, that's regular.

00:17:14
Speaker 3: British be normal.

00:17:16
Speaker 2: Yeah, that would be normal for me say the same thing.

00:17:20
Speaker 3: Hey, Hello, how are you guys? What are you you guys? You guys out this evening? Are you guys having dinner? Or are you what? What do you have planned for later on? So I.

00:17:31
Speaker 1: I think I'm not hearing it there either, I'm not hearing Harry Potter. I'm not hearing He'll.

00:17:38
Speaker 2: Use word, he'll use British words, and he'll get a little bit more luckily like.

00:17:47
Speaker 1: Subtle Warren, When when Scary does a British accent for some reason, he sounded horror, damaged, horrible.

00:17:56
Speaker 3: It's horrible. It does sound like Harry Potter has had an accident. It's it's miserable.

00:18:01
Speaker 1: When when when Scary does prank phone calls on our show on the Morning Show and he does accents. You know, Elvis, his boss always like makes fun of him because he goes from Italian to Indian to he can't keep he can't keep an accent straight.

00:18:15
Speaker 2: But that means the British as someone who's not British.

00:18:20
Speaker 1: To me, that sounds like the worst British accent ever as a as a as a brit That must offend you that that's what it sounds like.

00:18:27
Speaker 3: It does, but but it offends me to this. But but also it does if you slip into Lockstock and who's making barrels? You know, there's a yeah, there's an argument for saying that that that's actually you can but that's not definitely not pushing it up. But I don't know that, yeah exactly. But you know you can go Dick van Dyke and go cool BlimE me Mary Poppins.

00:18:54
Speaker 2: But he can't do any of that like I can do. Harry Potter, Harry Potter, Warren, where are you right now? By the way? Are you are you? Are you at the bar or are you the golf club?

00:19:05
Speaker 3: We we just got back from our day of golf and I am at Will's apartment before we're heading into Hoboken.

00:19:11
Speaker 1: Very nice, all right, Well, yeah, we wanted to catch you real quick. Let's ask him the question that we have, Warren. We have a couple of questions for you. When what's the British slang when when America we say I'm taking a poop, taking a ship, taking a dump?

00:19:25
Speaker 2: What what do you say?

00:19:28
Speaker 3: Well, we don't like to say it because we are very weird about our ablutions, so we often say just say going to the bathroom. I would say if I was talking to my mother, I would say, yeah, go into the bathroom, going to the where's the loo? We maybe number two's. We don't say any of the poops or dumps.

00:19:43
Speaker 2: Or right, I know that British.

00:19:45
Speaker 1: British never say that, but they say like they have cute nicknames like I'm going to take a chub choop like they always have like all.

00:19:52
Speaker 2: Right, number.

00:19:56
Speaker 1: But you got number two is as dirty as a guess you have always like funny, don'pe be like fun Whereas Americans tend to be crass, we crass it up. The British always have like a fun, polite way of saying everything. You know, like I'm gonna keep the share of that guy. You're like, oh, I'm gonna run him up with some buttons and cheers. You know, you always have something.

00:20:14
Speaker 3: I even heard I was listening. I was listening to that. So I listened to the Chris Evans show on Virgin Radio in the UK in the morning. He does a very big British British Captain America, and they were talking about pooh pooh versus poop, and it's put like English like to say pooh, but poop is very different. So poop sounds a bit more crass. English like to call it pooh.

00:20:34
Speaker 1: Well, poop is the pooh and poop are the nicest things an American can refer to shit as.

00:20:41
Speaker 3: I like that.

00:20:42
Speaker 1: You're crossing the line with you, guys. But then again, we can say fanny and you can't, so.

00:20:47
Speaker 3: We definitely can't exactly.

00:20:48
Speaker 1: Okay, So in America we say taking a piss, taking a crap, but you don't take a fart. Scary a little while ago said I would take a fart with you on the phone.

00:20:58
Speaker 2: You guys don't take a fart? Right you leave fart? Or do you like? You take you leave a poof? Poof? What do you guys do? Leave a little?

00:21:04
Speaker 3: Think any I take it? And take a fart. I don't think I don't think anybody's ever said that.

00:21:11
Speaker 1: He was thank you, So Warren, as an American living in America, if you had a fart, would you just take it for you?

00:21:18
Speaker 2: You just fart, right, You don't take a leave a fart, take a part. You just okay. Now, as a brit as a brit.

00:21:25
Speaker 3: If you had to like another rule pass passed win, we say past wins pass.

00:21:29
Speaker 2: That's very polite. That is very polite.

00:21:32
Speaker 3: Yeah, this is by the way, I like past win. I would say past win to my mother.

00:21:36
Speaker 1: How didod cast take this turn? I don't understand when you go back to that, when you go back to the motherland, h do you accidentally slip in like americanisms? Do you like a mom, I've got to take a ship. Oh sorry, that's my American accident coming out.

00:21:53
Speaker 3: I do bring in americanisms, which she does not appreciate it at all, because she still thinks I she hates the fact I've been in America for twenty five years. But I do. I do slip them in. Not nothing as crass as that, but let the subtle ones.

00:22:05
Speaker 2: Yeah.

00:22:06
Speaker 1: Now, if you say elevator, will your mom smack you instead of lifting.

00:22:10
Speaker 3: Yeah, she will give me Claire will she will give me a glare.

00:22:13
Speaker 1: Yeah, listen, I could definitely tell that some of our slices, listeners of ours, they're very turned on by just hearing you on the phone like this.

00:22:20
Speaker 2: I got more questions.

00:22:22
Speaker 1: I got one more question, okay, because we got to let him go because he just wanted to watch the Giants game.

00:22:25
Speaker 2: They gotta get out of here. Yeah, forty nine Ers game. They're going to kill the Giants. Oh god. Okay, okay, so I have two questions. Warn't be honest. Okay. Which country drives on the correct side of the road?

00:22:37
Speaker 3: Oh boy, Having now I split half my time in Italy, I will have to say, because episodes on my two favorite countries, America and Italy, we drive on that side of the road. So I'm very happy that America does drive on the rights of the road, now.

00:22:51
Speaker 2: Thank you very much.

00:22:52
Speaker 1: The right side is also the correct side, thank you very much. Now settle this one last thing, Warren, and I'll let you go scaring me a whole big thing out of how you know American women like an Italian accent, a French accent, a British accent, Australian accent, you know. Yeah, tell us how the women in in anywhere in Britain could be, could be any of any of the many countries in Great Britain, any of the countries there, how they they the women there would react to a sexy Brooklyn Italian Brooklyn accent.

00:23:22
Speaker 3: So I've often talked about this with friends, and the English women I would say a little bit more that they're less less impressed. I do like an Italian accent. I would, I would guess, in my humble opinion, the American accent. It's a certain type of women I think in England would appreciate the American Brooklyn accent.

00:23:41
Speaker 1: Really, Let's say I'm at Wimbledon and I'm like, can I get some Can I get some fucking strawberries and cream?

00:23:48
Speaker 2: Honey?

00:23:48
Speaker 3: There's that going to go on the world now, let me But it might, but it might go well in other parts of London. So it's very very it's very geographically specific.

00:23:57
Speaker 2: All right. Then I'm gonna need you to map that out for me some But yeah, I know it's true. I see. I don't think the overall as a nation, they're not very impressed with us, but it's okay, all right, well, war if we've wasted enough of your time, we've wasted enough, how do you politely dismiss us?

00:24:15
Speaker 1: I want I want, Warren, I want you to tell Scary what he should say with a British accent.

00:24:20
Speaker 2: And then let's listen to how awful it.

00:24:22
Speaker 3: Is to say, Okay, yes, I I well, I think I think we've I think we've taken up enough of your time. We're gonna let you go now, all right.

00:24:31
Speaker 1: That means he's gonna goat. I think we've taken up enough enough of your time. We're going to have to let you go now, all right. Now, he's an effeminate. We'll catch up with you soon.

00:24:42
Speaker 2: Thank you so much. Po bye to speak likewise.

00:24:48
Speaker 1: See look even he even gave you the uh you know, he acknowledged you there at the end too. He patched up for me. He was like, nice to speak to you, David, David, David, nice to meet you. See it's the top of the morning. Jolly good time. He he's wonderful. Oh pshaw, Yeah that's British Warren. Now you mean to tell me if you had that guy in your circle of friends, you wouldn't call him British Warren.

00:25:13
Speaker 2: I don't know, I might come up with something more clever, you know, like.

00:25:20
Speaker 1: What you know he's I mean, he is that, that is what he is. I mean it describes him to a t you don't even know. See, you didn't even have to know who he was ahead of time to know he was. Yeah, the fact that I called him British Warren, people are already picturing that's the guy. That the guy on the phone. That's exactly what I thought he would sound like. See a British guy with Steve my okey eyes exactly. Uh, it's scary. You're proud of your work sometimes, right, Sometimes I'm always proud of time.

00:25:59
Speaker 2: Yeah. And if you did something creative, you would want people to know it, right you post about it? Yeah? Yeah, they say that, They say, do something great and then let everybody know you did something great right now. It's like a post promotion of it, because otherwise no one will ever know. I mean, I know, no, I've done that, We've done that.

00:26:19
Speaker 1: But sometimes I keep thinks to myself, I do it random acts of kindness a lot that I'd never mentioned. Yeah, But in terms of like if you did a phone tap, and let's say you were in the Brooklyn Boys Slight the Slices page, fan page, or on the Elvis Durand Morning Show page or what people were. It was somewhere talking about your phone tap this morning on Twitter. You might go, hey, glad you like my phone tap?

00:26:38
Speaker 3: Right?

00:26:38
Speaker 2: Yeah?

00:26:38
Speaker 1: Yeah, yeah, okay, But but you wouldn't necessarily jump in twenty years from now and do that, would you. I'll tell you why.

00:26:45
Speaker 2: Yeh yeah, I don't understand where you're going.

00:26:46
Speaker 1: You tell me if this guy, if you'd call this guy out, because I, I, uh, I feel like I should call I should call him out. So I was watching a video and I forget what the video was, but it was it was maybe a sign felt video.

00:27:01
Speaker 2: And in the video on Instagram.

00:27:05
Speaker 1: It was it used the bound bound Bound Bound down.

00:27:14
Speaker 2: Right, the Seinfeld theme. Yeah.

00:27:16
Speaker 1: So there's a guy on Instagram. I'm sure he's legit. He's a Seinfeld music guy. That's his name on on Instagram, Seinfeld music guy. Yeah, and allegedly he he wrote that theme. Yep, thirty one years ago, thirty two years ago, whatever, it was, nineteen ninety Yeah, I had to be thirty nine eighty nine, longer than that thirty four years ago, thirty three years eighty nine, right, right, So he he comments on this video, which is a random video that happens to have that music in it, it's a Seinfeld video, and he says, I think it's hilarious that folks still know this theme music that I created thirty years ago.

00:27:55
Speaker 2: Okay, First of all, do you think he does that on every video he can find with the Seinfeldt theme? I think he does that.

00:28:04
Speaker 1: Yes, yeah, So I feel I feel like he's like digging for compliments, Like he doesn't. He doesn't find it amazing that people like still know the theme. First of all, it's not like the old days. If you made a theme of a TV show in nineteen forty and in nineteen seventy people are still humming it, You go, well, it's pretty cool. But Seinfeld is still on like Netflix or HBO Max, whatever it's on now. People still watch it currently. It's not that big of a deal that a pop culture historical piece of television.

00:28:39
Speaker 3: No, he.

00:28:41
Speaker 2: Clearly wanted to impart his like notoriety on everyone. Yeah, he's like, hey, that's me.

00:28:50
Speaker 1: I can't believe people still know this song that I wrote third look at me, Everyone.

00:28:56
Speaker 2: Look at me. But I feel like it. Okay.

00:28:59
Speaker 1: So I saw a TikTok clip recently of a guy who drives Uber for Uber, and he was the America Online guy and he was doing the voice. Oh yeah, he was doing the welcome you've got mail for some of his riders. That's his stick, right. They want to see it, they want to hear it.

00:29:20
Speaker 2: Welcome, you've got mail. We'll tell you what he wouldn't do. He wouldn't go looking for.

00:29:30
Speaker 1: AOL videos online and then chime in going, hey, glad, I can't believe people still know you've got mail. That was me, by the way, I record enough. But but the thing is, that's his way of staying relevant. No, he wants the credit by saying by calling attention to a different comment, he's trying to offshoot it or kind of say, look, that's the reason for his comment.

00:29:58
Speaker 2: But yet at the same time he he wants the credit for it. It's what I mean.

00:30:07
Speaker 1: Would it have been any better if he just went on every video and said, hey, that's me, by the way, thanks for liking my Thanks for liking this song that I wrote thirty five years ago.

00:30:16
Speaker 2: Would that have that better with you? Or would that have seemed more gratuitous?

00:30:20
Speaker 1: It's the same thing. He's like, I think it's hilarious. You don't think it's hilarious. You didn't wake up and go I can't believe people still know that theme. Well, yes, you can believe it. You get a check every time it plays, I'm sure. And it's still one of the biggest shows everywhere, whether slices an whether you watch Seinfeld or not. I mean that theme song is used in commercials like it's right. But like he's like, I can't believe unbelievable. Yeah, well you know, but everyone wants credit for things that that basically they might have been invisible. If something becomes wildly popular on your watch that you created and you don't have a name or a face or a voice to it that that people know, you want the credit. Like, I'll give you an example. Yeah, the very popular Jesse from TikTok. Jesse is the female voice that you use by default when you want to take text on TikTok. Yes, I've seen and it speaks to you. Well, so the girl that talks like this on TikTok, right, she's pretty much the voice of billions of fucking tiktoks every day. If I created that voice and that was me, I would abs fusolutely want some notoriety for it. So she took measures to go on TikTok and do videos with her picture. She's a Canadian woman. You could actually google her. Google do a Canadian accent, scary Canadian TikTok. No, google Jesse Jesse female voice TikTok Canadian real person or something like that. You'll see tons of videos with her saying Hi, I'm Jesse. I'm the one you see on TikTok or here on TikTok.

00:31:59
Speaker 2: Right, No, I get it.

00:32:01
Speaker 1: I just think like out of nowhere to pop onto a video as if, as if that video hasn't been everywhere all the time.

00:32:06
Speaker 2: Still he's amazed. Oh I'm amazed.

00:32:10
Speaker 1: He's just looking for a reason to get into the conversation, that's all. He not mean what he's saying. If he would have said, like if people were commenting, oh I love that song, and he's like, hey, I really appreciate you still love that song.

00:32:20
Speaker 2: I'm the writer, Thank you so much.

00:32:22
Speaker 1: I'm glading you do that. David Brody with some of your parodies. Yes, I said, you write all the time. You you comment on on random pages that have nothing to do with you know, with with with us. You know things that you maybe you know some of your parodies have gone viral around the world, have you, and you've you've commented on random YouTube threads and things that say, Oh, I'm glad you like my work. It's no different, it's the same ship you you want credit.

00:32:49
Speaker 3: You do the same thing.

00:32:50
Speaker 1: David Brody, completely different. Oh I've never heard you so silent. I've never heard you so I've never heard so silent in your life.

00:32:58
Speaker 2: Different.

00:32:58
Speaker 1: But how is it completely different? I'll tell you how it's different. You want the credit too, Hey, that's me. I wrote that in two thousand for the Yankees and the Mets World series. If I wrote something and didn't get credit, I think they should properly credit who did it. Right. It's like when people post a phone tap and they're like, oh, British Indian guy and British guy, no Irish guy, an Indian guy, and they're like, oh, it's a great So I would write them and go, hey, this is an Elvis Strand morning show phone tap, and I was the guy made the call. You should credit the Morning Show. Now I would just credit myself because I don't play that phone tap anymore. The same way, the Seinfeld music guy is going up. Everybody knows that guy, he's no, they don't. They obviously don't know him. So he wants to be known by throwing a comment down and being like, hey, hey remember that. We can't believe thirty years people know my music. Yeah, Seinfeld music guy. You think maybe he's telling people who he is is?

00:33:52
Speaker 2: Yeah? He maybe using that to get laid. Who knows?

00:33:56
Speaker 1: You think he poshes it up? You think you think he walks around like his ring tone. I guarantee has ringd on his Oh my phone's ringing? How funny I wrote that I wrote years ago, And you do the same thing, Brody. You do the same exact goddamn thing anytime.

00:34:14
Speaker 2: All right, Slices, If you've ever been a part of a text thread anywhere in a group chat, something on on that's in public that has.

00:34:22
Speaker 1: To do with David Brody's work, if they credited the street shot David Brody, don't even Brody's comment because I know damn well that Brody somehow did a search for his own music, his own ship, and he commented on it publicly the same way the Seinfeld song guy did. No I rest in the day, back in the day when people used to say wed Out wrote all my songs, I would occasionally point out.

00:34:45
Speaker 2: That it was not wed Out.

00:34:46
Speaker 1: It's the same thing, though. This Seinfeld guy wants credit. He doesn't want to think that Larry David wrote the music. He wants to be credited front center. Okay, but here's the thing. All I know is that Seinfeld music guy wrote the song. I still know who is you know, I don't have his name, Like I don't I don't ask for credit. Is guy in the corner on the Elvis Show. I say, hey, you should credit me. You will credit the Morning Show because we work hard to create content.

00:35:11
Speaker 2: The Morning Show.

00:35:12
Speaker 1: Should get credit. The white people should get this guy. I just thought it was like, oh it was you know what skiff. He had just said, Hey, you know what, I'm glad that that that my song still brings joy to people. Uh, you know, as the guy who wrote it, you would have still had a problem with it. No, it's the way he wrote I think it's hilarious. Is it really hilarious? That's that people still know the theme music. It's the theme of one of the most popular shows of all time. It was the way he wrote it, like, oh heavens, I think it's believe. Maybe his commentary could have been better, but what I'm saying, the intense was the same. It was so look at me, look at me, look at me.

00:35:50
Speaker 2: That's the podcast. Oh before the commercial.

00:35:55
Speaker 1: By the way, David Brody wrote that Brett James I did going to commercial.

00:36:00
Speaker 2: Yes, I did. He wrote that that jingle look at me? What song is that? Get your chuck on cat scale? Did they even run that commercial anymore? Yeah? Still not as often.

00:36:13
Speaker 1: It's it. There's other commercials that I'm listening to that I hate. You know, I have some audio for next week.

00:36:17
Speaker 2: I'll send it to you.

00:36:18
Speaker 1: I want to give a shout out to a couple of people real quick, let's see where is this one here?

00:36:24
Speaker 2: Hold on?

00:36:25
Speaker 1: I want I said I didn't give somebody credit last week. That I owe credit to David Q. David Q on the score thirteen is the one that pointed out episode two sixty six, an hour and twenty minutes into the episode or slices.

00:36:36
Speaker 2: You can all go back and take it.

00:36:37
Speaker 1: Listen to that scary says I tried to buy you steak dinner twice, and then he wrote, well, I tried to go to Dubai twice, but I didn't he owes you a steak dinner. Fuck you scary lmao. So thank you, David q. I. I quoted you last week and I didn't get a chance. There's a guy I want to give a shout out to him. He does hilarious videos on Instagram. His name is Siash s I a v A s h Dot underscore dot Ebrahemikrami. I'm assuming he's a Middle Eastern descent of some kind. Anyway, he's brilliant. What he does is he uh he does like commercial videos for products, and he has lighting and special effects and he drops water on things. And I'm not gonna give away that what makes him great, but but go look him up. But he did a video Scary and I guess the video. The theme of the video was when it's just not your day, right, and then he then he acted out when when it's just not his day. But on the screen on the reels, he wrote, when it's not just your day, which just not your day? Oh no, what he wrote, when it's not just your day, well it's not just your day, that means it's everyone else, right, So I was like, God, okay, Eric de Erico, I wonder if Eric Deericos is any relation to Donna Dierico, who was one of the Baywatch girls in the eighties and I think married to Nikki six or Motley Crue.

00:37:58
Speaker 2: Yes.

00:37:59
Speaker 1: All the updated refer which is coming from David Brody today he sent the picture of this scary I need your help. It is a restaurant near him, and he took a picture of the sign on the table. I'm gonna hold it up, siare maybe you could see this. You see that there huddle up yep, huddle up around I guess wings. Oh you know what, So here's the thing. I think it says, huddle up around ninety nine cent wings.

00:38:28
Speaker 2: That's what it's like.

00:38:29
Speaker 3: Say.

00:38:29
Speaker 2: It makes it look like the wings are around ninety nine cents.

00:38:32
Speaker 3: Ah.

00:38:34
Speaker 1: But now that I'm seeing it and you just said it out loud, I think that they mean is huddle up around ninety nine cent wings, like you huddle up in a circle.

00:38:43
Speaker 2: Huddle around them, around these ninety wings. Right.

00:38:46
Speaker 1: But they they put an exclamation point after the huddle up, which ends the sentence. So then they wrote around ninety nine cents. Yeah, it makes it look like it could be read either way. Well, I'm like, so, how much of the wings are they? Around ninety nine cents? I couldn't figure it out. Now I figured it out. Also, I sold some stuff I'm.

00:39:01
Speaker 2: Too smart for. That's what.

00:39:05
Speaker 1: You overlook. Well, yeah, you looked deep into everything. Well, Eric Diericho thought I should. And by the way, if your name is de Erico, do you think his parents tried they went out of their way to name him Eric Deerico, Eric Dierico maybe yeah, like like they couldn't name him anything, but Eric is in his last name, and they named him Eric Diericho.

00:39:26
Speaker 2: Like is his sister Erica Deerico? Oh, I don't know. That's a great question.

00:39:31
Speaker 1: The middle name is her middle named d? Is she like Erica d di Erraico? Like I always wonder, like when like, there's a guy, this newscaster in New York for many years, his name was John Johnson. Well, like Philip Phillips on American Idol. Is that like, oh, you know what would be clever if we named him Phillip Phillips. Philip Phillips, Well you do that on purpose at that point? Yeah, I feel like that wasn't an accident anyway. Uh again, you know me the trials and tribulations of David Brody selling things on Facebook. So I'm selling something. I'm selling something for sixty dollars and the title of the the title of what I'm selling is it's available. And then the description of what it is. The first thing you see is it's available. I already know the first stupid question, yep, is this available?

00:40:15
Speaker 2: Right? Still available? Right?

00:40:17
Speaker 1: So then this other person runs this other person wrote that, and I knew this was a scam. Is this available? I want to pick it up? I want to pick up it. That's what they wrote. I want to pick up it. Please text my cell area code seven to two to zero. Well, first of all, air qodes seven too is nowhere near me, and it's the odds of the that they live near me. That air coat is bullshit. So I tried to reply, is this really what you do? Look for new posts with a Facebook profile? That you just because I woked at his Facebook profile, everything was like created within the hour, like just added the profile, just added the pictures. Yeah, I couldn't send it, so I was a scam bony right there. Also, I'm trying to sell something for ninety five dollars, right, and it's like for ninety five dollars. Yeah, this person, Remy wants to know off. I'll take thirty five. Remy should already know no about taking thirty five. I'm selling it for ninety five. You won't offer me ninety maybe thirty five? Go fuck yourself. I'm selling something scary for four hundred and forty dollars. Yep, hundred a piece of furniture. Yeah, somebody offered you fifty, No, one hundred and fifty, and I will pick it up today or tomorrow.

00:41:21
Speaker 2: Oh, that's nice of you. That's nice of you.

00:41:24
Speaker 1: It's a nine hundred dollars item that I'm selling for four hundred and forty and you're offering me one fifty. You sir, can go fuck myself? Can you posh it up a little bars? Thank you for picking up on that.

00:41:36
Speaker 2: I pushed it up. I couldn't just say go fuck youse up, but I was like, go fuck myself. No, that's more English speak. I would say. You should be like.

00:41:45
Speaker 1: Insert insert a penis into your own your into your jute, poot into your anus, into your poothole where you break wind from.

00:41:56
Speaker 2: Yes, do me a favor, kindly, sir.

00:41:58
Speaker 1: If you could please insert your penis into your own rerection cavity.

00:42:03
Speaker 2: He's like a good day, sir, Good day sir. Yeah. I was trying to think of the line the butler's lines from Arthur that film.

00:42:11
Speaker 1: Oh yes, So so Author is Dudley Moore is actually a very good eighties movie nineteen eighty maybe and Christopher Cross Sailing takes me away Author's theme anyway.

00:42:23
Speaker 2: So Christopher Cross had a lot of hits. When you get good between the Moon.

00:42:28
Speaker 1: York, Yeah, okay, yeah, that was listen. That was make that your ringtone, everybody. That was the finest radio we can get podcasting brilliance. So Author is like a spoiled child. He's like sixty years old, played Bydudley Moore. He's a brat. He doesn't have to be an adult. He's had a butler since he was born, and so he's like a drunk buffoon. He fucks up his life, but he's worth billions, and so the Butler's like, shall I draw you? He goes, draw me a bath, sir, tell me at bath.

00:43:00
Speaker 2: He goes, It's what I live for, sir.

00:43:02
Speaker 1: And then and then he's he's washing in the tub, and you know, so the butler says, shall I wash your dix? And he's being sarcastic because he's like, you know, the guy's incompetent. He's like, you know, he can't even like wash his own privates. He's like, shall I wash your dix? Such a good movie, Such a good movie. If you want a classic old movie. I watched a classic movie last night, scary that I know you liked or you would like. You remember Steve Martin movie from nineteen eighty two, dead Men Don't Wear Plaid.

00:43:32
Speaker 2: I know the name. I've never seen it before.

00:43:34
Speaker 1: Very good movie. Oh Steve Martin, right now, you guys know who he is. He's in Only Murders in the Building, which is a great show. But there is a movie from nineteen eighty two, and what he does, it's a murder mystery in black and white, scary. And what he does is he takes movie clips from the forties, like the legends of movies, the legends of movie history from the forties, and he because he's in black and white and they're in black and white. He makes it look like he's in the scene with them, so they use body doubles from the back of their head, walks in front of them, and so the whole plot of the movie is based on Humphrey Bogart conversations and Betty Dave.

00:44:06
Speaker 2: It's brilliant. I watched last night. So you're looking for an old, funny movie that was good. I made own apology here to take it gues you had on the Morning show today.

00:44:16
Speaker 1: Oh, comedian Christi Stefano came in love Chris Great through a podcast. By the way, Yes he does. I spoke to him. He's actually in town for a couple of shows in New York. Uh, gonna be at Radio City on Friday night, that's tomorrow, and then Saturday at the Theater at Madison Square Garden. There are tickets that are still available for both of those shows. Didn't get his tickets because I would love to go. Well we could, that's a that's a phone call away. So he called me out for something that I did about a couple of months ago. Remember I told you I went to a c to see Matt Rife comedian Matt Right. Yes, yeah, well, our friend Garrett Garrett from the Morning Show has been longtime friends with Christis Stefano thing.

00:45:00
Speaker 2: So he told Chris. I'm like, did you do that? He told Chris that I was going to be in a c and so Matt Rice.

00:45:11
Speaker 3: He was.

00:45:12
Speaker 1: He was playing the Borgada that night, the same night that Matt Rife was doing his show. You didn't go see our friend Chris well the there was a scheduling conflict there, so so Garrett should have gone to see Chris told me, told him that I was going to be there, and he goes, hey, man, and then he texted me if if you want tickets, and I'm like, dude, I can't be.

00:45:33
Speaker 2: In two places at once. I'm already coming down specifically for Matt Rife. I said, this is embarrassing. That's not Rife. So that happens. And then the next day, remember I went to that Jonathan Peters crazy party. I told you about that pool party I went to. Did I talk about it on the podcast? I don't know if any think so.

00:45:51
Speaker 1: Well, whatever, I went to some crazy ass throwback party for you know, this guy who suspend its sound factory back in the day anyway, Jonathan Peters. Anyway, So, and I was hanging out and I luckily got in me and my buddy got into his section, buddy of mine and I here whatever we got in Jetski Briant, we got into it.

00:46:11
Speaker 2: Just give you a section. We were partying all day that afternoon. We were drunk.

00:46:14
Speaker 1: Anyway, fast forward to this morning on the air on the radio, Christ Stephano calls me out and because Elvis is like, yeah, you know, you compare yourself. You know, everyone keeps asking about you, and then in the same sentence they talk about guys like Matt Rife.

00:46:34
Speaker 2: So what what gives here? You know what? Why did he mention Matt Rife? It was Elvis setting you up. El No, Elvis was reading, is you don't know who Matt Rife is? No, I will now, I'll go look him up. You must. He is the biggest thing in comedy right now.

00:46:50
Speaker 1: The I remember when you said, bro, do you want to go see Matt Rife? Atlantic City? And I said, no, I'm going to see christ Stephano.

00:46:55
Speaker 2: That I remember.

00:46:58
Speaker 1: So Chris gos Chris go, oh, yeah, you know, you know modern comedians, what you know, it's the advent of the comedian, and how a lot of them do comedy like Matt Rife, a lot of big crowd work and short clips, whereas some old school people like to tell the long form story, which is not really fit for video online. So there's this been this, this move to do more of the Matt Rife style stuff or the very short quick clips online whatever that then you have to try and translate and figure out in a long form act on stage. Anyway, that being said, in that same breath, he takes me down, he goes, Yeah, he goes. Obviously it's good enough for Joe Gatto who came to see me, But Scary Jones over here, where'd you go see Matt Rife instead? He goes, And then, to an insult to injury, Scary was hanging out. I saw him at the Jonathan Peters show in the next day in the afternoon, and he's in the VIP section. I see him from afar and I'm sitting around in.

00:47:59
Speaker 2: The back in the VIP. He was not he's a VIP. He's a VIP.

00:48:05
Speaker 3: He saw.

00:48:06
Speaker 2: I'm like, dude, I'm like, why didn't you fucking text me?

00:48:10
Speaker 3: You let me know?

00:48:10
Speaker 2: I would have got you in there, I would have hooked you up. But apparently, oh you would have hooked up christ Stephans. Of course I would have. I knew the people wanted that party. Wouldn't you rather hook up Matt Rife? Oh my god.

00:48:21
Speaker 1: So, by the way, I wanted Chris on our podcast like two months ago because he was promoting his new TV show and I texted him and he didn't even get back to me because he was doing a show that night. Well, and he texted me like a week later, He's like, Brody, I'm so sorry. I would have come on.

00:48:34
Speaker 2: I was busy.

00:48:35
Speaker 1: I was warming up for a show. I own o christ an apology because last time. And so if you look at the picture I just posted between me and me and Christa Stefano on my Instagram, I must have gotten back to Joe Gato that he was spoken about on the air today. Joe Gatto just writes underneath the comment and he wrote, he goes and something about Atlantic City. He wrote, he wrote where is it?

00:49:02
Speaker 3: Uh?

00:49:03
Speaker 1: He wrote didn't come to the Borgata shame like also like literally like rubbing it in that I went to go see Matt instead of instead of Chris. That day, and then Chris writes, let's go to Jonathan Peters next time.

00:49:20
Speaker 2: Oh yeah, yeah, yeah, next time. So anyway, uh yeah, so I owe you apology, Chris. I'm sorry. I probably should have come to see you. You know, you know. I don't know if people know this, but he got.

00:49:32
Speaker 1: One of the things he did back in the day was do a part of podcast with Garrett and worst assistant Anthony who's with Carla Marie now and the three of them used to do three Guys in a podcast.

00:49:43
Speaker 2: They did a few episodes of that. So Chris used to come to the station all the time back in the day. But anyway, I just commented on Joe Geido's Joe Gatto's comment, so oh okay, did you really nice? Yeah?

00:49:52
Speaker 1: And by the way, in my Facebook page, I got that like, you know, memories thing. Yeah, and yesterday I think was oh god, not years maybe since you and I played celebrity softball with the Jokers, the whole practical Jokers group, uh at at the Brooklyn Cyclones game at the stadium where the Brooklyn Cyclones play.

00:50:10
Speaker 2: Yeah, we played why we we know the Jokers since they went a guy Forever.

00:50:17
Speaker 1: Christmas a podcast with sal Volcano. Have you ever seen the do A podcast together?

00:50:23
Speaker 3: Yes?

00:50:23
Speaker 1: Have you ever seen the clip of Sal from The Jokers saying something about putting something in tupperware, but he calls it tubberware with two b's and Chris stops him and goes, whoa, whoa, dude, what did you just say? He goes, what I put them? I put my leftovers in tumbleware. He goes, did you just say tumbleware?

00:50:40
Speaker 3: There's what?

00:50:41
Speaker 2: Are you a two year old?

00:50:42
Speaker 1: He's like, what tupperware? He goes, It's not tuberware. It's tupperware, and I was like, what I've been saying tuberware in my whole life? He goes, and you're an idiot your whole life.

00:50:49
Speaker 2: Oh it's so good.

00:50:51
Speaker 1: I forget what that it's some kind of poker related title. I forgot what the podcast is called. Don't tweet us, go look it up. They google it. But it's hilarious. It's like the p PBR podcast. Maybe yeah, I think that's like that PBR podcast, I think, but very funny. You know, let mean, listen to our podcast first, but then go listen to theirs. It's very funny.

00:51:11
Speaker 2: With scary and Brody we're running early today there, Brody, I need your.

00:51:17
Speaker 1: Opinion on something happened to me today. So I went out with my cousin the afternoon. We went to a Text Mex chain restaurant. It doesn't matter the name of it, but we went to one that's in a mall. And I may have mentioned it a year ago when I called for directions and the girl was like, oh, I don't know. I go in the mall and make a left. I'm like, okay, but the mall has eight entrances. I don't know which one you go in.

00:51:40
Speaker 2: I don't know.

00:51:41
Speaker 1: I just parked my car and I go in. And so she couldn't tell me, like where they were located in the mall. That's the place if I mentioned the last time, you know what it is. Anyway, we went for lunch today and I had gift cards. Now, if you remember scary, you won't remember. But this place was kind enough a couple of years ago to come up to the Morning show and give everyone gift cards on the Morning Show and a few of the guys on the Morning Show. Ladies and gentlemen on the Morning Show don't often go to this part of New Jersey where this restaurant is located. So a couple of you were kind enough, not you, but a couple of you guys on the show are kind enough to give me the extra cards. So I went today with my three or four cards to this really really good tex Mex restaurant and I ordered food and I think the bill came out to fifty eight dollars maybe okay. I had a couple of cards. I didn't know how much was still on the cards. I couldn't remember. If they were fifty dollars cards, twenty five dollar cards, I couldn't remember. So I give the guy a few cards and I say, hey, pay with it with the cards and let me know if there's a bounce. If I owe you any money, I go, here's my credit card. If I owe you any money, I don't know what's on the cards. So he comes back and he says, now, a couple of things. I had ordered my my three enchiladas, and I said, can I get some kotiha chiese on the side, kotiha cot i jes coojita cojaa. I think it's aa, I think it may be right. Hold on, I thank you, Joel. I am yeah, it's kohita. Sorry, yeah, it's in my fridge too. Yes, s no, it's cot i j ah me running. Yeah, yeah you are, and and I like it, so I know it's kotija anyway, So I said, can I get a little kotia on the side?

00:53:15
Speaker 2: Absolutely?

00:53:15
Speaker 1: Absolutely, Well, he brings the food my die coke, no ice, no problem, And he didn't bring the cheese. I forgot about it. So when the bill came, uh he dropped. He says, uh, oh, I'll take your credit cards. I said, oh, by the way, I didn't get the koteaha cheese. You're going to bring me on the side, you know whatever. So he says, oh, no problem, you no problem. So he goes and comes back and he says, first of all, he brings me my check, you know. After he takes the cards, he comes back goes, sir, here's a nice big portion of kotiaha cheese for you to bring home, like a big side order.

00:53:45
Speaker 2: How nice of him. Yes.

00:53:47
Speaker 1: As the check comes and my food's done, and he gives me a big bag of chips to take home, he's you know, and he says, you have six dollars and change on this card and there's no balance on the bill, and oh, I said, that's great. I said, well, here's the problem. I want to give him a nice tip. I don't have any cash on me. Oh, and I'm treating my cousin the lunch with my kid cards. And you can't tip on the card, right because he didn't ring anything up. So a lot of restaurants, what they'll do is they'll ring you up for a penny. Yeah, and then this way you can add.

00:54:16
Speaker 2: A tip to it.

00:54:16
Speaker 1: So I said to him, hey, can you do me a favor, take back my card if you have to go, ask a manager whatever, ring me up for a penny, and this way, I'd like to give you a nice gratuity. But I don't have any cash. He says, oh, yes, sir, absolutely, yeah. I don't know how to do that, but I mean, I'm go take care of that for you. I go, well, you ask your manager, ring me up for a penny, whatever you got to do. I'd like to give you a nice tip up.

00:54:35
Speaker 2: Okay. Great.

00:54:36
Speaker 3: A lot of.

00:54:36
Speaker 2: Places will ring you up for the lowest amount, like a soda, a small soda or a coffee, because it's a ringable amount. I don't know if a penny is exactly a ringable amount. Huh.

00:54:45
Speaker 1: A lot of podcast hosts would shut the fuck up while I'm telling the story and don't.

00:54:48
Speaker 2: Ruin the ending. Oh, give me a break, Okay, can set that out. Okay. So he comes back and.

00:54:54
Speaker 1: I'm sorry, I fucked your story up. Go fuck yourself. You fuck up all my fucking punchlines. Ah, your punchline suck. Anyway, he comes back all excited like he'suckly skipping, and he goes here. He goes, sir, I couldn't ring you up for a penny, but I rang you up for a dollar and what yeah? He goes, I rang you up for a dollar, so look at it. It's a dollar plus tax. Of course it's a dollar six. So I said, you got a problem.

00:55:18
Speaker 2: You have a problem with this.

00:55:19
Speaker 1: So I said, wait a minute. You charged me a dollar six that goes to the restaurant so that I can now tip you, and I'm out the dollar six.

00:55:30
Speaker 2: He goes, what I go? Should I take?

00:55:33
Speaker 3: I go?

00:55:33
Speaker 2: You know I'm gonna take the dollar six out of your tip? So what do I do?

00:55:36
Speaker 3: I go?

00:55:37
Speaker 2: Shouldn't you have asked me?

00:55:38
Speaker 1: I said, I said, ring me up for a penny because some places will ring you up for a penny like you do miscellaneous.

00:55:44
Speaker 2: He goes, no, I I rang it for a dollar. I go, yeah, you need to avoid that. So he voided it.

00:55:49
Speaker 1: And then what how did he get his tip? My cousin had money in her car. She went to the cornch game.

00:55:53
Speaker 2: A nice tip. You quibbled over a fucking dollar six?

00:55:57
Speaker 1: A dollar six, bitch slices s use the talkback feature on your iHeartRadio app.

00:56:04
Speaker 2: What would you have done? Would you have paid a.

00:56:05
Speaker 1: Dollar six for the right to give him a dip and just throw away a dollar? Oh no, we'll buy a soda with what? What cost a dollar six? A small coke, a small diet pass with no ice? What am I gonna do? We were leaving, What am I gonna buy a soda?

00:56:17
Speaker 2: To God? I don't eat soda to go?

00:56:18
Speaker 1: Dude, you you very regularly take fucking sodas out of refrigerators to go when didn't even belong to you. Grape soda, grape soda. They owed me the grape sod. They will find what I said. You listen a lot of times, it's a preclculated thing. I've seen this before. I've been a victim of it. I said the same thing, you ring me up for a penny, and they say, I can't ring you up for a penny because it's not in the system. That way, it looks like we're doing something weird. So I can ring you up for the smallest amount. I'm like, okay, I'll take a small coffee, sixty nine cents, whatever the fuck it is. But give me my give me the coffee or give me the soda, give me a bottle of water, a bottle of water.

00:56:57
Speaker 2: Brody, you could use a bottle of water. Later a theme rest, you could order a bottle of water. Brody.

00:57:03
Speaker 1: They don't have bottles of water that fuck they put am I getting Pellegrino at Red Robin.

00:57:07
Speaker 2: They don't have that.

00:57:08
Speaker 1: They have a Poland spring, some random bottle of plastic, bottle of water GI Fridays, none of those places. They give me water from the sink. What was it that costs night a dollar?

00:57:16
Speaker 2: I don't know. It just said miscellaneous a dollar. It didn't say what it was.

00:57:20
Speaker 1: I said, you should have you should have did Did they let the guy charge you what he was allowed to charge you and they give him a dollar lesson tip?

00:57:28
Speaker 3: No?

00:57:29
Speaker 1: No, you you give him the full time before you say it slices, I'm not charging it paying a dollar for the koteahtchies because he promised to give me that earlier for free. Anyway, my point is he should have come to me and said he should have come to me and said, hey, mister Brody looking at my card. You know, is it okay to ring you up for a dollar? Then I would have said, you know what, why don't you give me a taco to go? I would have paid six, eight, ten dollars whatever, But a miscellaneous dollar, I'm getting nothing.

00:57:56
Speaker 2: I gotta get something.

00:57:57
Speaker 1: You want to tip, right, So so whatever cast that dollar, whatever it was, I'm telling you that he ran me up miscellaneous small soda whatever that was. Soda was like three and a quarter. They don't give you a dollar soda and theme restaurants, it's like going to a baseball game. They rip they rip you off on that show Make it bro Maybe you could bring home a side of milk or whatever it was. It's not side of milk what McDonald's. What are you talking about?

00:58:20
Speaker 2: Whatever?

00:58:22
Speaker 1: Whatever it was that, I would take them the merch whatever was given to me and then suck it up.

00:58:28
Speaker 2: It's a dollar, merch it's a dollar. Nothing. You have missed the bougie bugie bastard. I'm not bougie. I'm just not nitpicky like you. You're crazy picky. That's a dollar out the window. I could buy it. I could buy a Hershey bar. But your intention was to tip the guy.

00:58:46
Speaker 1: And if it cost you a dollar to tip him on a credit card and get an extra dollar, a dollar and a six. Look, the government deserves my six cents. That's fine, build a road, But as far as the dollar goes, why should the restaurant get an extra dollar for me? Look if the dollar went to him, I'd be fine with it, But why should the big corporation get a dollar?

00:59:04
Speaker 2: And yes, I know I didn't pay for my lunch. I know, I know, I know.

00:59:08
Speaker 1: Before you're like bro, I have to say, you're already playing with house money. From the beginning, from the very beginning, you played.

00:59:13
Speaker 2: With house money.

00:59:14
Speaker 1: You didn't you didn't pay a penny towards the DA. You didn't stand scary. I ate fifty eight dollars worth of food for free. My cousin ate for free. But that dollar would a bit you son of a bitch. Think listen to what you just said.

00:59:29
Speaker 3: You just got to.

00:59:30
Speaker 1: Fifty eight dollars of food for free. You didn't have fifty four three. By the way, those those gift cards were given.

00:59:38
Speaker 2: To you, you didn't buy. You didn't earn those. You didn't earn them.

00:59:41
Speaker 1: I earned them by being the only one who was willing to drive there. You all lazy bastards are living.

00:59:46
Speaker 2: You outs wire them.

00:59:47
Speaker 1: It wasn't a loyalty program where you spent a certain amount of money and food you were handed those morning shows. Everyone in the morning show was loyal to me and gave me the cards. Yeah, you were playing with house money.

00:59:59
Speaker 2: It was all.

01:00:00
Speaker 3: It was all.

01:00:00
Speaker 2: It was the icing on the cake. You It doesn't matter. It didn't matter at that point.

01:00:06
Speaker 1: Listen, if if I'm losing a dollar, I lost a dollar because now I've already gotten fifty seven dollars for free. I wanted my fifty eight. That dollar can go towards a grape sod at the Chinese restaurant someday.

01:00:17
Speaker 2: Oh my god, Oh my god, How does your family put up with you? They don't? Is that why you're always alone and with the dogs all the time. They just know me. They just fuck me.

01:00:29
Speaker 1: You know how, we're going out. I go where We're going to see Barbie again for the seventh time. Gotta go edything, but but just stay in this fucking house with you. I gotta get out of here. My family's like put they want me to put the put on a waiting list for the Olivia Rodrigo concert.

01:00:43
Speaker 2: I go, oh, do I get to go? They're like nope, Like what you want me to put my name in for tickets if I get If I get tickets, I'd like to go, like, you're not coming, Yeah, you're something else, David Brody, aren't I though? Yeah?

01:00:55
Speaker 1: Hey, you know, by the way, if I'm gonna get a lot of shit for this, because I know it's wildly popular, but sex, I don't understand English, the excite, the excitement about UFC.

01:01:13
Speaker 2: There I said it.

01:01:14
Speaker 1: Oh, heavily tattooed guys with no teeth punching each other in the face and hitting each other for me, and this.

01:01:20
Speaker 3: Is just me.

01:01:21
Speaker 1: It's it's extremely it's extremely barbaric. The blood and the guts everyone, everything's out there in the ring. It's very much it's a medieval It's almost like we're return to medieval times.

01:01:32
Speaker 2: We're all they're in.

01:01:33
Speaker 1: A cage or whatever's horseback riding and jousting that's something else. And there are people screaming, and the adrenaline's going and it's testosterone is pumped up.

01:01:43
Speaker 2: I don't I don't.

01:01:45
Speaker 1: I mean boxing, maybe boxing, because they're they're with their padded gloves and and that's okay.

01:01:53
Speaker 2: I'm not. I'm okay with boxing, but UFC.

01:01:56
Speaker 1: I can't sit through these matches. And and I know it's one of the most popular sports in America right now. You know, I don't think people should be showing it at a restaurant.

01:02:09
Speaker 2: I think I spoke about this last time, how Robin and I went to a Brooklyn restaurant, an Italian, a red sauce restaurant.

01:02:15
Speaker 1: That was your first mistake, thinking that you're gonna have some classy TV show on at a Brooklyn I don't even want to screen on and we're watching, Oh yeah, I told you about that. I think I spoke about it on the podcast. When you're having dinner and all of a sudden, you know I'm this. You know, the red sauce comes, the meatball covered in sauce, and the next thing I'm looking, I'm looking up at some guys getting some the meatball covered in sauce, some other.

01:02:34
Speaker 2: Meatball on the screen.

01:02:35
Speaker 1: It is covered in fucking sauce, and I'm like, oh, am I eating blood right now, I'm seeing blood on the screen.

01:02:40
Speaker 2: This is disgusting. Turn this off. Well, I spoke to a couple of security guards and then they beat the fuck out of you.

01:02:47
Speaker 3: No.

01:02:47
Speaker 1: Recently, they told me that their bars have stopped showing the UFC fight as profitable as it is because they claim that anytime there's a fight night a big one, and they packed the house with people that as soon as those fight, the UFC fight is over, there's always a fucking fight or several in the bar after that.

01:03:09
Speaker 2: Oh, why don't they put porn on that and see if the same thing happens. That would be amazing. But right an orgy breaks out every night.

01:03:16
Speaker 1: I mean, I guess you could equate it to bringing a uh, bring a football to Thanksgiving dinner, because you know that you're watching, you're watching the pig skin, you're watching you're watching those games, and people who are out in the street and they're tossing the football back and forth because you're.

01:03:31
Speaker 2: In the mood. Is that what happens? You get in the mood to fun fucking clock someone in the head because I think, I.

01:03:36
Speaker 1: Think you're watching violence and it's it's like okay again, it's like what you watch porn, you get aroused, right, you get, you get in the mood for what you're watching. If you watch a cooking show, you get hungry, right, yes I do. If I watch a detective murder mystery, I get and I start looking for clues. That's just the way it is, like dead bodies. So yes, apps, I don't think you can watch UFC and be like, oh, look at daddy kicked his teeth out. It's like, yeah, fuck about I.

01:04:01
Speaker 2: Think that's the way. And then you get into a fight at the bar. So it's a liability.

01:04:05
Speaker 1: I'm harmless and cowardice. You wrapped in one. But there are always a few in the crowd that are gonna so fights. But they told me that an insane amount of fights breaking out.

01:04:15
Speaker 2: In fact, they you know, on a night of a UFC fight and hobo, can you always hear ambulances? You always hear police.

01:04:23
Speaker 1: Cars and see sirens and hear sirens and see cars the flashing lights because they have to kick people out. Any bar that's shown the UFC fight always has an issue. Okayl why would you invite that to your business? Hold on, slice, they need you to help me out here again with the leaving us to talk back. I can see like a tough, big guy, you know, a big you know, tough woman, like.

01:04:45
Speaker 2: Yeah, I just go watch some people. If you are a nerd like and I love I love nerds. I'm a nerd.

01:04:50
Speaker 1: If you're like, honey, let's go to the bar and watch some you have seen people gigging each other. And if you're like some scrawny guy with glasses and you're like, they want to go on some people, please let us know because I don't think that.

01:05:02
Speaker 2: I don't I could be wrong. I don't think the.

01:05:06
Speaker 1: Non violent, non athletic uh uh person is into that. I think people who are like you know, I picture like big construction workers, military guys, like you know, real real man. I'm not a real man. I'm like, uh, you know, at male parts. But other than that, you know, I like sports, but I'm not like, yeah, I'm a guy. I'm not yeah, And that's a bad.

01:05:26
Speaker 2: Thing for me simp. No, I'm not a simp as it means. That's what it means.

01:05:31
Speaker 1: Simp means like I have a crush on Taylor Swift. I simp for her. You don't know what the word sip means. You are a dumb af No no, no, no, Google, it means more than that said, you mean a gimp. Put a ball gag in my mouth.

01:05:47
Speaker 2: Continue. I sometimes walk with a limp. Uh. I'm just not. I'm so I'm not.

01:05:53
Speaker 1: I'm not like a I'm not like a big man, right, I'm not like a biker guy. I'm like not alpha what not?

01:06:00
Speaker 2: No, and I don't. I don't think one of us is no neither. We're far from it.

01:06:05
Speaker 1: So I don't like watching other alpha men beat other alpha men up because I don't want I don't like the fighting. I don't want to be in a fight. I don't want to like watch a fight. If I see a fight, I don't like run towards it.

01:06:15
Speaker 2: I run out.

01:06:16
Speaker 1: If I'm a sporting event and there's a fight, I don't like stand on my chair to watch it. I turn, I'm like, oh, I don't want to watch that. I don't want to watch the game I don't like looking at a car accidents on the side of the road. I don't want to be in a car. I like you, Yeah, yeah, that's not who we are. So for us, UFC is not our thing. But if it was mud wrestling, you know, a couple of attractive women, I might watch.

01:06:37
Speaker 2: That a year alone on that island. Two Now, maybe mud wrestling. Maybe how about jellow wrestling.

01:06:42
Speaker 1: I don't know what I'm saying is I'm not I'm not opposed to boxing matches because I like the heavyweights because there's like there's a lot of calculation in each punch, and there's a lot of strategy and there's a lot of like waiting and looking for an opening. I like that part the chess game in a heavyweight boxing match. You know, But as far as you have se I know it's an art form. I know you have to be very skilled and athletic and know when to make your move and when to kick someone's teeth out and when a gouge his eyes out or women same thing. It's just not for me because I couldn't do it. I don't want to be part of it, and I just I'm not into that kind of violence. And I certainly don't want to watch it when I'm eating dinner, but I totally understand why some people would love it. I do all right, this is not us.

01:07:24
Speaker 2: I rest. I gotta go pack for Vegas.

01:07:26
Speaker 1: Well with people, are you gonna pee on the podcast while you're on the should take the microphone with me and take you all to the bathroom. Bring the mic into the bathroom, take a piss. I'm very comfortable. I'm very comfortable around all of you. So you're not the kind of guy that would punch the other guy, but you're the kind of guy that would piss while're the phone hand. Yeah, I've got no problem. I got nothing to hide there, so not a lot. I gotta go to Vegas. It's the Ihearadium Music Festival weekend. Well, well, wait, go ahead and play some talkbacks though, right, couple, we didn't well no, this is the last segment and we didn't really get too many of them. We're gonna accrue them for next week.

01:07:57
Speaker 2: Kay.

01:07:57
Speaker 1: We didn't do our We didn't release our podcast to like fucking Sunday Afternoon.

01:08:01
Speaker 2: Thank you, bro. It was your fault.

01:08:02
Speaker 1: It was not my fault, but mister I got away from my British friend for butters to come in and take me to dinner with the Steve Byoki Eyes.

01:08:09
Speaker 2: But oh scary, yeah, bro? What okay? Okay?

01:08:13
Speaker 1: Two things before we leave? Number one, why I have a shout out before we leave too, Yeah, I have a shout out. Two things where we leave. I am going to see and I'll give you my review next week Tomorrow night a Friday night with today's We're posting this on what Tonight's Thursday Thursday, but hopefully we'll post it on Friday night. But I'm going to see The Shark Is Broken, which is a show, a Broadway show about the shark malfunctioning in the all time classic movie Jaws.

01:08:40
Speaker 2: And it's written and acted out by one.

01:08:43
Speaker 1: Of the sons of one of the guys from Jaws, who played quint Robert Shaw. His son directed, Alex Brightman, is in it. Who's one of the greatest Broadway shows on Broadway. He did he was in School of Rock and we got to meet him on the stage of Beetlejuice the Winter Garden Theater.

01:08:57
Speaker 2: Anyway, I'm going tomorrow night.

01:08:59
Speaker 1: I'll tell you who I go with when I when I confirm, But I'm very excited because especially since Brodie's the main character and as a kid, everyone was like, oh hey, look at Sure of Brody. So I'm a big fan of the movie. I'm going to see it tomorrow night, and I'm excited. Lastly, I wrote a song parody that I asked Scary to get produced for me because I don't work for the company anymore officially except for the podcast, and I said, Scary, get this produced. It was about Scary's family having a plot his father buying graves for everyone in the family right now already done. So the next day I wrote a parody which is like four episodes ago, and I got it produced finally because Scary forgot and he went down his crew.

01:09:34
Speaker 2: Do you want to leave everybody with that song?

01:09:36
Speaker 1: No?

01:09:36
Speaker 3: I do not.

01:09:37
Speaker 1: We'll play it next week, but remember what the conversation was. I'll reset it, but I want you to know I wrote it in a timely manner and Scary fuck you guys like.

01:09:46
Speaker 2: Mad Brody is giving getting the credit here.

01:09:48
Speaker 3: That was me.

01:09:49
Speaker 2: I wrote that.

01:09:51
Speaker 1: Of course, because it's our podcast, I can say that. I'm not calling all the podcasts up and letting people know I wrote it.

01:09:57
Speaker 2: That's however, work right there. David Brodi, Jan.

01:10:00
Speaker 1: Sal Volcano Volcano and Christa Stefano play my song on the PBR podcast. I will call into that show and remind him its mind and they stole it, but they wouldn't do that. They're very crati. They don't need to steal from me.

01:10:10
Speaker 2: Hey.

01:10:11
Speaker 1: And finally, one of our biggest slices has gone off to college and we want to say congratulations and lots of luck. Spencer Neil that is the son of Daniel Man. Spencer went off to college a couple of weeks ago. Helesk playing soccer professionally. I think he's going place as that.

01:10:30
Speaker 2: Kid he's going. He's going, He's going to London.

01:10:33
Speaker 1: He leads is in leads, yes, which is a good name for a team name if they're always in the lead to get the leads. But here's the thing that you see posted as danielle posted his mom, he had a photo shoot for the school for the team. Like he's a celebrity now, yes, he's like photo shoot, Spencer. We're really proud of you. Man, you're a rock star. You're gonna crush it or Spenny as your mom calls you, Benny. Thanks for Rennie, thanks for always being there with us.

01:10:58
Speaker 2: All right.

01:10:59
Speaker 1: He packed his Brooklyn Boy's hat, which he bought. Where did he buy the Brooklyn Boys hat? Scary in the merch store with the Brooklyn Boys merch store at Brooklyn Boys dot petebigcartel dot com.

01:11:12
Speaker 2: Let me explain what scary, just man?

01:11:14
Speaker 1: He meant Brooklyn Boys dot Bigcartel dot com, all of your Brooklyn Boys merchandise.

01:11:20
Speaker 2: We've got a lot of stuff there. Check it out. If you've never been to the merch store. You might find some back if you have.

01:11:25
Speaker 1: Yeah, repeat customers, and we got a deal coming soon, right, Maddie, Maddie merch We.

01:11:31
Speaker 2: Gotta go now. They can't wait for the deal. We don't have a deal yet.

01:11:35
Speaker 1: We don't have a deal, go now it Just get your shirts, give us the dollar six. We're sold out on Brooklyn Boys yamakas by the way, sold out and limited time only.

01:11:46
Speaker 2: No, we still have the mask on COVID Denier. Bye, You're an idiot.

01:11:52
Speaker 3: Boys.

01:12:00
Speaker 2: Oh Hea